Sam Smith Rips The Mask Off Radical Trans Agenda With Ugly New Video
I promised to only hit your inbox twice a month, but I couldn’t help but to send out something on Sam Smith’s latest music video, which showcases the absolute insanity of mainstream transgenderism’s influence on the LGBT movement.
The four-minute visual production for “I’m Not Here To Make Friends” is essentially a soft-core remake of “The Phantom of the Opera’s” “Masquerade.” Lest you think Broadway isn’t gay enough already, by today’s left-wing LGBT standards, it isn’t.
Here’s some of what I published in The Federalist this morning:
The debut of Smith’s latest music video offers fans a graphic depiction of his identity crisis, with the singer fleshing out his sexual fantasies on screen in a display of the kind of radical transgenderism that’s taken over the LGBT movement. The gaudy, risqué performances are presented with the flair of “Phantom’s” early-20th-century mansion masquerade ball — except, of course, Broadway has taste.
The gay movement purported to be about equality and tolerance, with homosexuals, for the most part, saying they wanted to be left alone to marry whom they wanted. After the 2015 Obergefell v. Hodges decision, transgenderism hijacked the movement and persuaded a portion of lesbians and gays such as Smith, people who’ve been uncomfortable with sex norms, that so-called “gender” was the problem. Gays often get co-opted into going along with the propaganda out of peer intimidation, devoid of any real conviction.
Smith’s video highlights the radical normalization of “kinks” that’s gone from the fringes to taxpayer-sponsored drag queen story hours and even drag queen strip performances for children.
Smith isn’t the face of gay men, except those gay men now struggling to reconcile transgender propaganda with same-sex attraction. It’s no longer the straights demanding gay men have sex with women anymore — it’s the transgender movement.
Smith had quite a few defenders on Twitter.
Owen Jones, a gay podcaster and columnist for the Guardian, claimed critics are just being homophobic and fatphobic.
“Sex has always been a running theme in modern pop music, and music videos often flaunt it,” Jones wrote. “But Sam Smith has made the criminal offence of being a) queer and b) not skinny, and in an increasingly anti-LGBTQ culture, that can’t be tolerated.”
It’s not that Smith is queer (I’m gay myself). It’s the lionized form of transgenderism Smith represents complete with the Lizzofication of the LGBT movement.
We’re already being asked to pretend Smith is another gender (he claims to be “non-binary”), but are we also expected to pretend that he’s sexy?
It’s true that gay men have ruthless body standards. It’s also true gay men are far less likely to be obese than straight men, probably for that reason. We shouldn’t go fat shaming overweight people, but we shouldn’t be glorifying obesity either.
Healthy stigmas on excess weight exist for a reason. Erasing them would be deadly, especially when Americans at a metabolically healthy weight are already in the minority and therefore susceptible to the erasure of stigmas against obesity.
Smith’s video is not just gross by its effort to graphically impose fringe fantasies into the mainstream, but it’s gross because yes, he’s dousing himself in golden showers while half naked and obese. Most ordinary people don’t want to see that, and it shouldn’t be controversial to say so.
Photos:
<a href=“Marcus Aurelius | The head of Marcus Aurelius found in the P… | Flickr“>Bradley Weber / Flickr </a> / <a href=“https://creativecommons.org/licenses/by/2.0/“>CC BY 2.0</a><a href=“Colorado Morning Afterglow (Explored May 2022) | WEBSITE Flu… | Flickr“>G. Lamar/ Flickr </a> / <a href=“https://creativecommons.org/licenses/by/2.0/“>CC BY 2.0</a>